#The mousterpiece theatre podcast tv
Spiegel says TV “may have helped people soften up” to Disney again after he had been stereotyped as a conservative curmudgeon. Josh Spiegel, co-host of the Disney podcast Mousterpiece Cinema, says that Walt Disney’s television appearances in the ’50s, when the medium was still young, helped rebuild his fame and give him a new persona: “Disney’s choice to step in front of the camera and be more vocal than in the past was a definite shift, almost a way to become America’s kindly old uncle,” he says. MacFarlane’s attempt to put himself before the public as a face rather than just a voice-starting with the time he appeared in person to host a collection of Family Guy clips on Fox-may be reminiscent of the king of his business, Walt Disney, who used TV to become much more than just the producer and voice of Mickey Mouse. “Even in the student film that helped him sell Family Guy, there are live-action sequences in-between the animated sequences which feature Seth being Seth.” “Seth has always been a performer,” Partible says. MacFarlane, on the other hand, hasn’t quite settled for offscreen stardom. But the film bombed, and the pair settled for an offscreen role for their next project, achieving live-action success writing but not starring in the musical The Book of Mormon.
#The mousterpiece theatre podcast movie
Trey Parker and Matt Stone of South Park (who have bashed MacFarlane’s work on their show) accepted starring roles in the movie BASEketball after South Park took off. But these other creators don’t usually try to separate themselves from the cartoon characters they play. Van Partible, creator of Johnny Bravo, the Hanna-Barbera cartoon where MacFarlane achieved early success as a scriptwriter, says, “the best cartoonists need to have a working knowledge of acting so that they can get their characters to perform and emote in a believable way.” Because of that link, many other writer-creators from the ’90s animation boom, such as Mike Judge ( King of the Hill), are also vocal actors. The transition from cartoonist to performer isn’t quite as strange as it might sound. “Watch this guy go,” says Family Guy and American Dad composer Ron Jones. It’s part of his attempt to go from animator to live-action star-and his colleagues think he can do it. But recently, MacFarlane has been trying to get out in public-he hosted Saturday Night Live and sang at London’s Royal Albert Hall before landing the Oscar hosting job.
You wouldn’t think he had anything left to prove- being the highest-paid writer in TV with a reported salary of $33 million a year, and having influenced many other cartoons, such as Robot Chicken, a pop-culture parody created by Family Guy voice actor Seth Green. As a TV creator and producer, MacFarlane became one of the most powerful people in show business thanks to the success of Family Guy, for which he also does many of the voices he followed that up with two other animated series, then transitioned into live-action filmmaking by writing, directing and voicing Ted, one of 2012’s most popular comedies. Many performers have hosted the Academy Awards, but Seth MacFarlane, host of the 85th annual show, is something different: he’s not known for performances where he’s actually seen. Photo illustration by Lauren Cattermole Fox Broadcasting
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